Lukman Clark
Award-Winning Author, Artist & Screenwriter
A quarter century ago I wrote an
epic poem entitled “The Life of Adam.” Although the only surviving copy now
resides in the Library of Congress, it was my take on putting the purported “first
people” in a pre-Saharan, Edenic grassland with flowing waterways as revealed
by modern satellite imagery.
Unfortunately, my Adam and his
people were hounded by an individual known as “The Man With The Tail.” This was
Menes the Great, so-called founder of Ancient Egypt’s First Dynasty who
according to legend wore a lion’s skin replete with tail.
One epic poem leading into
another, I then wrote “Egyptian Elegies”, mostly on breaks while working as an
extra in film and TV. As originally conceived, this was to include nine
elegies, each covering either a legendary or fictional character over the 3,100
years or so from Menes to the last of the Ptolemies.
Reaching the end of the
Ptolemaic line I ran into Cleopatra. She’d been so overdone I decided to look a
few centuries ahead to see who else was out there. That’s how I encountered
Hypatia of Alexandria.
She was not unknown to me and you’d
be right to say she’d been overdone, as well. The more I researched Hypatia,
however, it became clear it was her legend that has been overplayed. All of
this I documented in a paper delivered at the 2018 Hawaii International
Conference on Arts & Humanities titled “The Case of Hypatia of Alexandria.”
[See The Case of Hypatia in this web site.]
Concluding, as have many scholars before me, that
the popular legend of Hypatia is without foundation, I decided her image was
due for reformation in keeping with what little is both known and, given her
times, likely.
Readers will find the world-building of the 4th century Alexandria well-researched, including background on the military, chariot racing, the burgeoning Church, the politics around these and much more. A key event, often overlooked by historians, is the Great Tsunami of July 21, 365 CE that wiped out much of Alexandria — very likely including its famous Library — and its impact upon daily life thereafter, not least of all Hypatia and her family.
Of course, because “Hypatia: In Her Own Words” is written as an autobiography, someone has to find her long-lost scrolls. Enter Brandon Blake. He has a brief appearance in the “Translator’s Preface” at the start of Hypatia’s story; suggesting he may tell the story of the scrolls discovery at a later date.
Little did Brandon suspect a past life hypno-regression session would reveal the location of the Alexandria Scrolls! This would catapult him into a global quest to find his own soul. And true love.
Packed with high-octane adventure and broad historical intrigue, The Alexandria Scrolls and Hypatia: In Her Own Words together are ultimately an existentialist adventure, timely for readers yearning for a side of spirituality with their fantasy. With one-third of Americans believing in reincarnation (Pew Research Center) and one in five regularly consulting a psychic or medium, the identity conflicts of the series will carry resonance. We may be infinite beings, but we are also predictably human, and those human emotions (love, lust, revenge, etc.) will keep you turning page after page.